Country Life
If I’m honest, I’m not quite sure why I started reading
Country Life magazine. Probably,
it was in the hugely mistaken belief, which is the driver behind any story
about celebrity, that through reading about a subject, one could become part of
that world. This is not a new
phenomenon and is why so much Young Adult fiction has a dash of the fantasy,
many teenagers spend a lot of time wishing that they were somewhere or someone
else, the irony is of course that eventually they get their wish, they turn
into an adult, someone else entirely, although one would hope they never lose
their taste for Haribo.
Country Life magazine is, at first glance, the publication
most associated with waiting rooms, the exception being the waiting room at
Dignatas, in which the sole reading material available is the ‘Daily Main’,
after reading which some visitors have been heard to exclaim ‘Fucking Hurry Up’
at the door marked ‘Exit’.
Anyone taking a cursory glance at the cover, advertising,
contents and overall glossiness of the publication might think that this is the
magazine for Torfs.
It is. But it’s
so much more.
With the exception of the ‘Evening Star’ (the sister paper
to the ‘Morning Star’ and yet not remotely associated with the inexplicably
more popular ‘Daily Star’, the ‘Evening Star’ being the sort of newspaper that
would be published by the hard left if they had knocked off after publishing
the morning edition, celebrated as traditional journalists do, then brought out
an edition where they really wrote what they thought and where every editorial
began ‘Right…’) Country Life is the most militant publication not actually
produced in the front room of a self styled ‘activist’ who wears a combination
of corduroy and cheesecloth and churns out their publication on one of those
hand cranked printers the sole purpose of which was to give millions of
schoolchildren an introduction to purple ink and solvent abuse.
Think I’m joking?
Here’s how militant Country Life is. It abhors littering. And bad behaviour. And ill manners. And unnecessary noise. It hates pollution. It is an advocate of the preservation
of environment. It is the champion
of the agricultural sector that we rely upon to, you know, eat.
Moreover, it champions the preservation of our
heritage. This takes many
forms. The most obvious is that it
tends towards Stately Home Porn but, and this is the saving grace, it knows
where to draw the line. Published
every week apart from at Christmas where one imagines the entire staff are off
first killing and then cooking their Christmas dinner or at least causing a
scene at Waitrose, the magazine often spreads a feature over two issues,
occasionally this will be a feature on a Stately Home with words about
architecture and history, and images (‘figs’, never photos) of the grand hall,
the long drive, the privy, and so on.
Occasionally, if it is not term time and the younger daughter of the
house is back from a Scottish university where she doesn’t have to pay fees
(how do you think these people hold on to their wealth) there will be a picture
of a young woman in a ballgown, cuddling spaniels. Otherwise, images of the owners remain mysteriously
absent. That’s because usually
they might be confused with the gargoyles festooning the East Wing.
I started buying Country Life magazine when I noticed that
it featured articles of interest to me, such as farming, food production and
the future of our environment. The
property pages I skipped past and the section on antiques and the art market
were not really for me, I couldn’t afford a £12,000,000 estate in Scotland or
an oil painting of the same place at the same price.
I started subscribing to Country Life because it had
something important to report every week, or something interesting to say about
gargoyles, or because it featured an estate for sale that looks like an oil
painting, and there’s always the lottery.
It’s also something of a counterpoint to the rest of the
media (apart from ‘the Field’ magazine).
And, of course, there’s always the young lady gracing the
frontispiece, like a posh Page Three.
Labels: Agriculture, Architecture, Class, Country Life, Country Life magazine, Countryside, English Heritage, Publishing, The English
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