Saturday, September 27, 2014

Chess


Chess.
More than just a fabulous musical, and arguably more than just a game.  Well, actually, plainly more than just a game, as mentioned in the previous sentence, it’s also a fabulous musical.  It takes a few minutes to learn the basics of the game, then a few more to learn how the knight moves, then some more to learn about castling and en-passant.  Basically it takes about forty, forty-five minutes to learn the basics of the game, but a lifetime to master.  That’s why chess is so popular in prison.
Chess is a game of strategy.  It’s actually the game of strategy and don’t ever let any tosser with a games console and a strategy-‘em-up tell you differently.  His (it’s always a ‘his’) new game set in a distant magical kingdom does not, despite the guff on the packaging and several hysterical broadsheet reviews filed by sleep deprived nerds, ‘have the complexity of chess’, although I can quite believe it has ‘the epic scope of the finest of fantasy novels’ and ‘female NPCs with really huge boobs’).
Chess requires you to think many moves ahead.  There are a finite number of openings, and established strategies, and end games tend to be relatively simple too, iso t’s in the middle where the drama is.
Chess, unusually for a board game, frequently ends in a draw or, when played between siblings, a fist fight.  As well as mastering the strategy and tactics, you also have to compete with the smug tosser on the other side of the board, smirking every time you make a move, which is exactly the sort of behaviour that will bet you into trouble on ‘C Wing’, by the way.
The other fabulous thing about chess is the variety of chess sets.  Even the simple ones are things of beauty.  I have an old (not antique, not valuable, just ‘old’, c1970s) travel chess set.  The board has little holes in it and the chess pieces slotted into it like pegs.  In the 1980s these sorts of chess sets were replaced with magnetic sets with the different pieces printed on little magnetic tiles.  Now, it’s probably an app.  Pah.
Once you start playing, you start to accumulate chess sets.  Although, oddly, new kit does not improve performance.  You need to get a robust one if children are learning, as the pieces have to be tough enough for handling by kids, but not heavy enough to do any lasting damage when they are used as weapons to augment the aforementioned fist fights that result from use of the word ‘checkmate’ in an enclosed environment.  You also get a really, really nice one that you plan to get out when playing with friends, but actually won’t let anyone else touch.
You even start to tinker with making your own.  This usually happens around seven in the evening on Christmas Day, when you have accumulated enough champagne/cava/prosecco corks to serve as Kings, Queens, Bishops, Rooks and so on, and enough bottletops of various colours to make pawns.  Board?  Back of a Cadbury’s selection box and a sharpie and you are good to go.  Warning, if this set is not assembled, painted and varnished by 27 December, it will be ‘tidied away’.
Oddly, the most charming chess sets tend not to be the ornamental, onyx, marble, ebony and Swarovski affairs that decorate the living rooms of the apartments of oligarchs’ tarts (although given the fate of some oligarchs, a nice chess set would be handy in their cell), but the ones with history.  This includes, let’s be clear, the Lewis chess men, but more often are the modest but beautiful sets one finds in what used to be known as ‘junk’ shops but, thanks to the proliferation of programmes featuring bargain hunting antique experts on daytime telly, we must now refer to as ‘curio emporiums’ or something.
These are objects that are loved.  Battlefields rightly become places of pilgrimage, a square of turf where sacrifices were made, deeds noble and ignoble done, where history was made, heroes crowned, villains vanquished.  The same goes for that small square chequered battlefield.
Also, you can get Star Wars chess sets!  How cool is that?

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Wednesday, September 24, 2014

1 Across, F**k


Famously, the internal telephones at MI6 during the fifties and sixties were always busy for the first hour of the business day, as pipe smoking men with initials instead of names ‘phoned one another for assistance with the that day’s Times crossword.  That, at least, is how the story is reported in Peter Wright’s memoir ‘Spycatcher’.  One would hope, of course, that this is, if not an outright case of a writer being ‘economical with the truth’, then at least having the courtesy to disguise the real purpose of the exercise, that during those decades crosswords were used by the security services to, not as you might imagine communicate hidden messages to agents, but rather to keep Oxbridge Commie Pooftas preoccupied with matters cryptic rather than Cyrillic, and above all prevent them doing the will of their red paymasters.
I fucking hate crosswords.
And they hate me.
But I hate them more.
I am also truly awful at them.  This is possibly (probably) because I lack the education and the lateral thinking abilities to realise that ‘Trojans mince with alacrity’ means ‘Effervescence’, but is more likely the result of their being situated towards the back of the newspaper.  This means by the time you reach the crossword, you will have read about who has been doing what to whom on an international, national and personal scale.  Then it’s the horoscope ‘No chance of getting nine across today, you fuckwit’ and onto the puzzles.
When did the puzzles become so difficult?  Crosswords?  Sodyouto?  What happened to join the dots?
Get angrier and angrier and angrier, give up, turn page.  Sports.  Set controls for ‘incandescent’.
There are, it’s fair to say, different types of crosswords.  Mixed ability, so to speak.
General knowledge.  If you can answer three questions on round two of ‘Mastermind’ or any question, at all, in any series of ‘University Challenge’, this is the one for you.
Quick.  By far the most satisfying, but can go very wrong very quickly.  The thing about quick crosswords is that those that set them like to establish a theme.  So once you realise that all of the answers are the surnames of characters from the popular soap ‘Crossroads’, you’re away.  However, if the theme of the day is ‘something other than ‘Crossroads’’, you’re fucked.
Cryptic.  The only one that matters.  A proper crossword.  The clues are things like ‘Lakes sailed by cheeses’. And the answer will probably be something like ‘Buzz Aldrin’.
How?
How the fuck is that even possible?
I once went through a period (‘Moon river’ (6)) of buying a daily paper, keeping it, then the next day sitting with the crossword, and the solution, to see if I could work out how ‘angry owls’ becomes ‘defenestrates’.
The answer?  It fucking doesn’t!  I am now convinced that the cryptic crossword is a ruse perpetrated on us by people, and I’m not saying they are all working in the intelligence community, to do two things.  To keep us busy, and to keep us in our place.
That’s why I make a point of, just now and again, picking up a copy of ‘The Times’ and, in the space of a ten minute train journey, ‘completing’ the crossword while chuckling to myself.
Of course I don’t, I’m not fucking insane.  But I would be, if I had to work out what ‘Woodland folk’s banquet, enjoyed quietly’ (9) means.  (I check the next day, the answer was ‘Archbishop’.  ‘TWF!’ (Anag.)).
Of course I admire the mental agility of the sort of people who set these things.  And indeed those that solve them.  But I can’t help but think that they are in competition with one another, or even cahoots (Mr Toad’s exclamation! (7)) and that the whole thing is a male-dominated attempt to find the dominant male, judged on who has the biggest lexicon.
That being the case, the only setter I continue to look on with favour is a red one, and until the news gets so unpalatable that they start using cryptic clues for headlines, I’ll leave the puzzles to men who measure their masculinity by how hard a clue is, and how long it takes them to solve it.

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Saturday, September 20, 2014

Fuck you too C**e C**a, you don't know me either


Not so very long ago, seeing your name in print was a Very Big Thing, especially if it was for the right reasons rather than as a result of your name appearing in newspaper story titled ‘Convent School Flasher Apprehended’.  Even today, certain Sunday newspapers, not all tabloids, contain little glossy magazines you can order personalised items from.  Golf balls seem to be a speciality, although surely it would be simpler to change your name to ‘Slazenger’.  There’s a cottage industry, presumably, stamping initials on everything from handkerchiefs to corkscrews.  The same sort of chap who has his initials on his jumper probably has them, or a close approximation, on his car’s number plate.  But if you don’t have a tiny cock, there are acceptable uses for personalisation, such as school kit or, well, that’s about it really.  And of course where your name appears is all important, for instance, on a car parking space, probably good, on a cell door, probably bad.
Recently, Starbucks started to ask you your name, rank and serial number when you ordered a coffee, and so it came to pass that a lot of immigrant, minimum wage workers learned first hand that the English can be a surly, belligerent but oddly creative bunch first thing in the morning before they have had their coffee.  Either that, or ‘Fuksake’ is a really, really popular first name.
Where one beverage giant wanders, another aimlessly trundles after, and so we have the personalised cola bottle.
That’s right, a cola company has decided to add a little bit of soul to a product that is, if the ingredients are to be believed, water, sugar, more sugar, syrup and a colour to turn the entire thing the shade your piss goes after a three day fast.  OK, so that may not be exactly the ingredients, but I can’t be arsed to fetch a bottle and check for myself.
Cola is suffering something of an identity crisis itself.  During the adverts it’s drunk by attractive people.  When the adverts end and it’s back to ‘Britain’s fattest slobs’ it’s drunk, by the gallon, by fatties who are crying either shame, or because they have a self-righteous teevee presenter screaming at them.
Now though, somebody who had obviously drunk far too much fizzy pop for breakfast decided to put names on cola bottles.  This is genius!  You can actually drink out of a bottle that has your name on it or, even better, drink from a bottle with somebody else’s name on it.  How subversive is that?
The upshot of this is that there are now three categories of cola drinker.  The first is the ‘don’t give a shit whose name is on the bottle’ type.  The second is the sort who will look through the stock to see if their name is there, and be a little bit disappointed if it’s not.  Finally, and also my favourite, are the people who will choose the most interesting name, often of the opposite sex, just like in the early days of internet chat rooms.  Surely nothing is more impressive than the sight of a hairy arsed tattooed, bearded bloke builder sucking on a bottle labelled ‘Marjory’.  It’s so wrong it’s right!
Like everything that comes out of the boardroom, there’s room for conspiracy here, so certain names are forbidden no doubt (so (more) bad luck if you have the misfortune to be called ‘Adolf’) whilst there is probably no chance of you, or more likely your servants, finding a bottled labelled ‘Crispin’.
I am actually all for personalisation of beverage containers.  I remember years ago a Scottish beer company used to adorn their cans with, I understand the technical phrase is, ‘dolly birds’.  Collect the set and become a harmless alcoholic with a soft porn gallery that you will one day display on ‘Antiques Roadshow’, rather than a sugar fuelled rage machine because the shop has run out of ‘Jimmies’.
Although, obviously, if you should see a ‘Kylie’, you must purchase it at once and keep it about your person at all times, so that should you ever chance to meet the Aussie songstress/goddess you have an opening line other than ‘er….er….er…’
Cheers!

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Friday, September 19, 2014

Aye or Naw


Right, here we go.  After months of debate, debate bordering on ill-tempered bickering and countless hours of political pundits banging on endlessly with ill-informed speculation and scare-mongering, the Scots are voting on independence.  Every single Jock seems to have registered to vote and is off to the polls.  A high turnout is expected and of course 16 year olds have the vote, which is either inspiring or terrifying depending on which sort of 16 year olds you know.
So, obviously, I’ll be staying up all night.
This requires a strategy.  The last time I stayed up all night I was in my teens and was at a party and there were girls and everything.  Actually, that’s not quite true, the last time was probably travelling, on an aeroplane where free booze brought to your seat and free movies made sleeping something of a waste of time.
This time it’ll be something of a long haul.  The results are going to take even longer than bloody Eurovision.  And coverage starts at half ten, meaning the BBC coverage (always the best pundits and coolest graphics, and the presenters always get a little crazed around mid-morning) is going to consist of at least a few hours of speculation, recapping and desperately filling.
First up, a quick trip to Waitrose.  Obviously what’s required are snacks that will slowly and evenly release sugar throughout the night.  But sod that, nobody’s interested in virtuous flavours at the turning of the tide, so it’s crisps, and, oh my God I can’t believe it, a Ginsters pasty – the perfect three-in-the-morning hot snack, as when microwaved to perfection (nuked to buggery) it transforms into something akin to a phenomenon studied by vulcanologists and would certainly wake you up if you ate it before letting it cool.  Which takes a while.  It’s the only snack with a half life.
But mostly, let’s celebrate the fact that for the first time in a decade I’m able to have a cup of tea after six o’clock without worrying that it’s going to keep me up all night.
Crisps.  Chocolate.  A mango.  Put mango back.  Sorted.

22:30  Telly on.

22:32  Kettle on.

22:45  First chance to see how the BBC graphics boffins have risen to the challenge and it appears they have gone somewhat bonkers, with a huge graphic of a nuclear submarine seemingly navigating the depths of the news room.

22:48  A whistle-stop tour of the counting centres.  Scotland appears to be very well provisioned with sports halls.  Ironic given the health of the nation.

22:56  Oh Christ, looks like Jeremy Vine’s strategy has been to drink a shed load of pro-plus laced coffee.  Cool graphics though, got a whole 3D thing going on.  Looking forward to exhausted graphic technicians going doolally with exhaustion later on and really getting creative – ‘Let’s take a look at the results so far with the result represented as a caber being tossed’.

23:01  An expert has just announced that ‘More votes will take longer to count’.  Genius.

23:04  Montage!  Proof that even a Primal Scream soundtrack can’t make politicians look cool.

23:14  Oh shit, it’s a people’s panel made up of folk who didn’t get an invite to a referendum party.

23:30  Quick break for news headlines.  All presenters rush to the loo at the same time for a wee and a wee line.

22:35  Over to Westminster.  Andrew Neil co-presenting with a truly appalling hairpiece, no wonder this bloke only goes on after the watershed.  Luckily John Redwood is also on the programme and so Neill appears normal by comparison.

23:41  Huw Edwards is reminding us that Scotland is a ‘rural’ country and there are ‘logistical challenges’ to transporting a box to a sports hall.  Luckily, it would appear that the Scots have access to vans.

23:44  Leader of Scottish Conservatives looks quite a lot like ‘Scots funnywoman’ Susan Calman.  Suspect they have the same tailor.

23:45  BBC ticker declaring that Queen is following the vote closely.  I bet she’s having a party.  Wonder if she is serving Ginsters?

23:46  Apparently Glasgow normally has a low turnout, but having a say in the future of your nation, and putting polling stations in branches of Greggs, appears to have greatly increased turnout.

22:55  Cool graphic of a helicopter, representing Scottish Army.  Given state of defence cuts, presume this helicopter will be shared with England, with Wales getting it at alternate weekends.  Rotors spinning and everything.  Look forward to the helicopter strafing the newsroom later.

00:10  Now well past time would normally be in bed.  Usually midnight means New Year’s Eve, and ten past midnight means finishing the last of the fizz, saying ‘fireworks were good, Hootananny was shit…again’ and going to bed.

00:13  Ooh, have discovered ‘Trendsmap’ on the interweb.  Essentially this works out who is tweeting what where and puts it on a map.  It’s fascinating.  In Scotland you have a lot of #Yes and in the West of England, you have a lot of #Thunder and #Lightening.  Thank God for the English’s preoccupation with discussing the weather, it means you can track bands of thunderstorms in real time.  Also worth watching just to see if suddenly loads of hashtags along the lines of ‘Aliens’ or ‘Invasion’ pop up.

00:21  First interview of the night with bolshie Welsh person, who also wants more power.  Yea, right.  Like that’s going to happen.
00:45  Andrew Neil up again.  Of course, his normal programme is on so late it’s almost early, so he’s used to napping through the afternoon and appearing chirpy well after ‘Newsnight’ has finished.  He has a boffin on who is saying that there will be huge changes no matter what the result, and that there will need to be a lot of work done on the constitution.  Oh, he’s a constitutional expert.

00:53  Jeremy Vine is standing in front of a graphic titled ‘Battleground’.  You can just tell that everyone involved is already gearing up for the 2015 election.  Speculation starting to resemble desperation.  Fill.  Waffle.  And shout ‘Count faster you bastards’.

00:57  Edinburgh count appears to be taking place in an aircraft hanger.

00:59  Which of the workers in the high-viz vests in the background at the count is going to do something amusing and become a social media star?  My guess is the girl doing the dance moves.

01:00  BBC have apparently dispatched all of their reporters around Scotland.  The chap in Orkney is, judging by the fleece he’s wearing, is BBC Scotland’s rugby correspondent.  On radio.

01:05  Reporter in Midlothian is talking about ‘social factors’, classing people as posh if ABC, moving steadily into working class with D and E.  Something tells me that Glasgow doesn’t bother much with the first bit of the alphabet.  Reporter doing a really good job and seems very posh, obviously pitching for her seat on the BBC news copter back to London if there’s a ‘Yes’ vote and Scotland’s national broadcaster goes from being the BBC to being a bloke with a bell and a loud voice.

01:20  Huw releases the panel, who were all actually insightful, measured and charming.  Huw has promised them ‘something a little stronger than herbal tea’.  Boozing on the License Fee.  Excellent!  Must be massive temptation to try and drink the value of your Fee and pocket any BBC pens you can get your hands on.

01:27  Clackmannanshire result is in.  And it’s a No!  More importantly, how cool is the name ‘Clackmannanshire’?

01:28  Footage of celebrations at ‘Yes’ HQ show quite a few bottles already open, and LOADS more lined up ready.  Pace yourself chaps.  Luckily, the Scots are famously abstemious.

01:39  Jeremy Vine has a bloody huge map of Scotland that is apparently filling the newsroom.  It’s on a scale of the sort of map that a Bond villain would use to plot the destruction of the nation’s haggis industry.  Clackmannanshire is flashing red.  Jeremy then goes on to explain that the area is populated by members of the ‘DE’ social class.  Possibly this means that they have heard that if you vote ‘No’, Westminster will give you all sorts of goodies and are holding out for a Greggs gift card for every man, woman and child.  Areas populated by As and Bs will expect to get a Waitrose.

01:50  Oooooh, flash of lightening and roll of thunder.  Drama in the skies as well as on the telly.

02:01  Orkney declares.  It’s a HUGE NO!  Loving the bit where they read out the different categories of why certain ballots can’t be counted.  BBC always cut away from speaker before he gets to category of ‘crudely drawn cock’ on ballot.  Shot of No! HQ celebrating result.  Everyone looks marginally more refreshed than they did the last time.  I don’t need fancy graphics to illustrate a continuing trend of young people, excitement and alcohol meaning the only sort of political party that is agreeable.

02:07  Guests on BBC all look remarkably kempt.  Think the same people are doing a circuit of teevee shows.  Suspect those doing radio shows might be a little more casual.  But would love to see a guest turn up in PJs and dressing gown, possibly clutching a favourite soft toy.

02:21  After two o’clock, things are starting to get a little bit more relaxed.  First OB from a ‘Yes’ party, where the BBC journo is sporting a party shirt and begins by explaining that there has been stand-up and poetry!  Very nice too.  I hope the producer says that they’ll be going back to him at 6:00, so he can’t start in on the Babycham yet.

02:25  Jeremy Vine is explaining that people from lower social classes are more likely to vote for independence.  Presume this means UKIP will be courting the chav vote.

02:42  Andrew Neil appears to have a twelve year old as a guest.  Who appears to have modelled himself on Nick Robinson.  Thunder and lightening over Houses of Parliament in the background looks spectacular in HD, whereas Mr Neil most certainly does not.  Nothing wrong with wearing make-up on telly, but when it looks like it needs not so much touching up as reapplication with a trenching tool, maybe a rethink is needed.

03:43 Shetland says No!  Ponies love the union.

02:49 Huw is a bit bloody familiar with using first names, if you ask me.  Calling Michael Gove ‘Michael’ is just, well, unnatural.  This is the BBC, he should be addressed as ‘Mr Gove’ or ‘Twatty’.

03:00 Eilean Siar votes…who bloody knows, they’re speaking Gaelic.  Oh, English now.  And it’s…NO!  Something of a surprise.  Could No! pull off a clean sweep.  Let’s see those figures expressed as a wicker man.  Eilean Siar sounds like a folk singer whose music is used in a John Lewis Christmas ad.

03:14  Good to see that UKIP remain true to form, the bloke from UKIP speaking to Huw is a total bloody foaming-at-the-mouth nutter and, bonus, rude too.
03:33 Inverclyde declares.  And it’s…No.  Just.

03:35  Half three and the snacking is going well.  Ginsters is still in the fridge rather than the microwave.  But have discovered a cup a soup at the back of the cupboard.  Past the three o’clock hump, closer to dawn than dusk last night.  Tension draining out of coverage though and people are trying to move the story on already to what comes next, as that involves England.

03:51  Renfrewshire says…No!  79 rejected ballots, reasons muted again but ‘used to wipe arse’ has to have happened at least once.

03:53  Dundee bloke reading out spoiled ballots first.  Builds tension.  Dundee vote for independence.  If necessary, one gets the feeling Dundee will go it alone!

04:06  West Dumbartonshire says fucking AYE!  Pundits now back pedalling.  Lots of talking about working together as ‘Team Scotland’.  No footage of SNP headquarters.

04:09  Midlothian says No, no independence please.  No! party really looks like it’s hotting up.  Cheering, drinking, embraces.  It’s swung No, experts reckon we can all pack up and go home.  Cup-a-soup tasty, but with that oddly gritty texture you get from packet soups.

04:14  East Lothian says Naw!  Big win for the no campaign.  Also lady reading out the results very well turned out for past four o’clock in the morning, possibly rightly thinking this is her big chance auditioning for job involving standing up and talking on telly, weathergirl, lottery ball girl or something to do with Countdown, or at least a regional quiz show.

04:16  Stirling says NO!  Stirling also has least imaginative backdrop.

04:29  Falkirk says No!  Lady reading results is a stranger to hairspray.  Meanwhile back in the studio the politicians are having a bit of a bicker.  Past four o’clock, it’s an effort to stay civilised.

04:25  Jeremy Vine finally has some stats to render in graphic form.  Lots of coloured boxes.  Possibly after the vote this could be used in the gameshow the lady earlier was auditioning for.

04:28  Angus says No!

04:29  Dumfries is a ‘hefty’ no.  So, that’s a NO then.

04:32  East Renfrewshire have a backdrop with windfarms on it.  And they say no.

04:33  East Dumbartonshire go no.  Aberdeen go no too.  Huw keeps speaking to pundits, then cutting them off as the picture jumps to another sports hall with, if we’re lucky, a coloured backdrop.
04:46  North Lanarkshire go yes!  Creeping sensation that the yes campaign are now playing for pride.

04:47 Perth and Kinross lady go no!

04:52  Glasgow!  Here we go!  Glasgow go yes!  Glasgow wants to be independent from the UK.  Scottish Borders go no though.  West Lothian vote no.

05:01  North Ayrshire goes no.  Feeling very close to Huw and the team at the BBC.  We’ve sat up through the still watches of the night without any sustaining booze.  Well, Huw may have been sneaking a dram or two, but it’s been tea and cup-a-soup here.

05:05  South Ayrshire are a no.  Woman reading out the numbers does not like cheering.

05:09  East Ayrshire.  No.  Apparently this is a surprise to the pundits.  The pundits keep banging on about communities with high levels of depravation equalling voting for independence.  No formal link between desire for independence and aversion to vegetables made yet.

06:33  It’s getting light outside.  It’s all over, and it’s a No from the Scottish public.  The newscaster doing the short news bulletins throughout the night on BBC News 24 must have thought it was her lucky day, instead of having to read out the same bit of rolling news every half hour for half and hour and then start all over again, she basically did the headlines and then, presumably, had a nap for 25 minutes while Huw did his thing.  Some grainy still pictures of Alex Salmon being whisked away somewhere in a car and private jet, he actually looks like a foiled Bond villain.

6:38  Time for bed.  Question is, should I have a cheeky beer first?

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Wednesday, September 17, 2014

Inspiration


If you’re lucky, there’s beauty all around you.  If you are very lucky, it’s in the mirror too and you can make a living selling make up or clothes that normal people can’t afford or look good in.
There’s an art to appreciating beauty though.  In the appropriately titled film ‘American beauty’, there’s a scene where a boy shows a girl a video of a plastic bag caught in a breeze, endlessly circulating.  This, he breathes in solemn tones, is the most beautiful thing he has ever filmed.  This, 400 people in a cinema auditorium think, is a reflection on the need for American youth to get out more.  It’s at this point that you realise that any movie containing such a scene must be more up its own arse than a video of a rectal exam.  Anyone who has witnessed a plastic bag on the wing in the wild will know that they are not to be trusted and can attack, wrapping themselves round your leg or shoe and leaving you no option but to shake off said plastic bag by doing a ritual dance that, performed in public, makes you look like a one-man Morris troupe.
It does pose the question though, whether true beauty is to be found in nature, in mankind’s creation or, like a plastic bag in an updraft, in a combination of both?
Picture a new cathedral.  Beautiful?  Unlikely.
Now picture a proper Norman job, the sort that took a good couple of centuries to build, where you capped out the building your great-grandfather dug the foundations for and which has stood sentinel over the landscape for a good few centuries.  Fresh carved, gargoyles and grotesques are probably not best described as beautiful but, after a couple of hundred years weathering, the carving that was started by man is finished by nature as the lines and features of the stone are smoothed and, through architectural botox, a building becomes landscape.
And that’s just the outside.  Wait until you get to the gift shop and tea room.
Or not, the thing to do is head straight for the gift shop and pick up a guide to the cathedral, because if not you will spend the rest of your visit wondering what’s the nave and what’s the choir.  Like being able to name every wildflower in a hedgerow (ragwort, bramble, pornmag, tizercan) knowledge of the correct architectural terms for different parts of medieval buildings is something you think you should have, and feel guilty about not possessing.  Like an ethnic friend.
Places, and people, can be described as inspiring.  The Greeks, early market leaders in matters poetical and theoretical, outsourced inspiration to muses.  These creatures were capricious and could be found in various places, oddly enough frequently attractive places that were quiet and allowed a chap to think about what rhymed with ‘trireme’, or how to found a new branch of philosophy that would get you the girls, or just how to fuck goats.  That last one is a bit of a shocker I concur, but these were less sophisticated times and hanging around in a glade can get lonely.
Muses persist to this day.  Usually they are women.  Unusually they inspire men.  Usually they have really, really good cheekbones.  Rarely do they advise on advanced trigonometry or how to romance ruminants, and the world is arguably a poorer place for it.
Other places where inspiration can be found evidently include the bottom of bottles of alcohol, especially if one is a poet.  And stimulants appear to be a common feature, as, given the number of people sitting in coffee shops with laptops open in front of them with the phrase ‘SCENE ONE’ or ‘CHAPTER ONE’ on the screen, followed by a big white space, latte would appear to inspire.
Anyone who has ever picked up a bat, a ball, a pen or a brush has, at some point, probably been inspired by somebody or something.  It can be a moment of genius or a moment of heroism.
And some of those that have been inspired may go on to inspire others, and not even know it, like the master mason who carved the gargoyle.

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Saturday, September 13, 2014

Tartangeddeon


Salmond and Sturgeon may read like a wet fish order placed by an illiterate, or sound like a music hall turn, but they are, if the English ruling classes are to be believed, the most terrifying double act to come out of Scotland since ‘The Krankies’.  Together, they lead the sinister sounding ‘SNP’, an organisation dedicated to rolling back the carpet of history and making Scotland independent once again.
Anyone who has visited Scotland will be wondering what all the fuss is about.  This is a county with its own currency (ever tried to pay for something in a shop in the Cotswolds with a Scottish tenner?), its own cuisine (extensively documented elsewhere on this blog) and its own language.
But they want more.
So.
Jings!  As they say north of the border, a place that if the rumours are to be believed, you will soon need a passport, as well as the usual inoculations against scurvy and a bucket of midge-repellent, to visit.  The Scots, it would appear, are revolting.
In England (because at the moment Wales and Northern Ireland are about as noticed as Kevin in the opening reels of ‘Home Alone’) there is anger, resentment, and quite a lot of anxiety.
Anger and resentment that the Scots want to leave the Union.  Don’t these haggis chewing bastards know about all the great things that England has done for them?  For a start, we take all that filthy oil they have lying around under the North Sea and store it safely in our cars, ensuring it won’t annoy gulls.  The English also create jobs in Scotland, as I am reliably informed that the chap who mans the siren that will sound if ever there’s a problem at the nuclear weapons storage facility at the submarine base up there, is Scottish.
The anger, however, is nothing compared to the anxiety which, since I started this post, has been upgraded to fear.  There seems to be a real concern that if Scotland vote to leave the Union, this will have cataclysmic effects.  And it will.  For Scotland.  And also for a certain type of Englishman.
Scotland first.  This is a country that has an economy based, if I have grasped this correctly, on shortbread, an intoxicating spirit, and wee creepy looking dolls of girls in kilts that you purchase in plastic tubes.  Unless the Scots are sitting on a mountain of natural resources that would make the dwarves in LOTR envious, and that mountain of uranium at the submarine base doesn’t count, then surely they are better as part of a greater economic unit, that is to say, Britain.  Oil?  My understanding is that the stuff is to be found in the North Sea, rather than Scotland.
Scotland’s greatest export has always been the Scots.  Inventors, engineers and talented stand up comedians, the Scots have spread their talent round the globe, all driven by the same impulse, to travel somewhere where it’s not raining.
The English are, frankly, shitting themselves.  If you own a vast estate in Scotland the last thing you need is some ghastly native declaring independence.  Look what happened in Rhodesia.  The English gentry bloody love Scotland.  The people are lovely, the scenery is glorious and, best of all, mobile ‘phone reception is atrocious.  Once you have made your pile and bought an estate, it’s best to spend most of your time up there, standing in a river not catching fish, or roaming in the gloaming wondering where the bloody hell all the game has got to, happy in the knowledge that if you hear a bird call, it’s likely to be something you can shoot and not a txt alert.
G&P wears its Scottish heritage proudly.  Fond of haggis, overfond of the water of life and tremendously suited to a kilt.  Scotland has never fallen short of ambition.  If Scotland gains independence it will, I am sure, make a success of it and G&P will make the most of it, by getting a tartan stamp on a passport page at the very least when attending the Edinburgh Festival.
But I hope that the Scots vote to stay.  I’d hate to pay import duty on Irn Bru.

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Friday, September 12, 2014

Paisley Parked

RIP Ian Paisley, who has passed.  Once, opinion on his passing would have divided along religious lines, with 'sad loss' or 'thank Christ' being your reaction depending on your view of Rome - tourist spot with traffic issues or the home of Popish plots and a den of inequity where the inequisition sport large hats.  Latterly of course, peace came to Ireland, former foes worked together and a whole country united in their dislike of politicians whatever their religious bent.
One hopes that if peace came to Ireland, it also came to the Paisley household, with there being at least a little less shouting about the place.
On hearing the news of his passing, somebody asked me 'So, where do you reckon he's gone then?', meaning that even for politicians there was a final reckoning, and more uncomfortable places to end up than across the desk from Paxman in the 'Newsnight' studio.
Wherever the former firebrand has ended up, one thing is for sure, his passing is a sad, sad loss to the 'Better Together' campaign.  Nobody could bellow 'NO!' quite like the Rev. Paisley.

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Thursday, September 11, 2014

The verdict

How the fuck can Oscar Pestorious not be guilty?
In cases like this, when you think 'He did it, he's fucking going down' and so on, when the verdict, normally of a jury, is given, you think to yourself, well, that's a surprise, but I guess they were there throughout the whole trial, whereas I just saw what got reported, and was trying to judge the body language of guilt based on some, frankly appalling, pastel sketches of the accused.
Not so here.  The South Africans may be recovering racists but when it comes to courtroom drama they are very progressive, meaning they allow the cameras in the courtroom.  Presumably the next move is to have live action commentary.
What it means is that a combination of available footage, celebrity and morbid curiosity led to large swathes of the trial being broadcast on the BBC news channel, because apparently it's news to broadcast hours of some weepy bloke bleating about how he didn't mean to shoot his girlfriend and ruin his en suite.
Any bloke listening realised that these were the honest emotions of a man who really, really, did not want to go to jail.  Any woman listening recognised the sort of sincerity normally associated with the phrase 'It's not you, it's me' prior to a rapid alteration in relationship status.
So normally, we're not in a position to fairly judge others.  Thanks to telly, we were.

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Wednesday, September 10, 2014

Fuck you S**rbucks, you really don't know me!


In what has to be the worst ever corporate mandate, or simply an astonishingly ham-fisted attempt at analogue data gathering about customers, Starbucks staff now ask you for your name when you buy a coffee.  Presumably this is because ‘Jeff’ is easier to remember than ‘double no-fun skinny latte and give it wings’.
The only plausible reason for a coffee shop drone to ask you your name is if you are the fiftieth person in line to sequentially ask for a latte and they need to differentiate you from all the other folk who can’t think of a more interesting beverage.
I do not like being asked my name in Starbucks, as a corporation famous for ending individuality on the high street by trying to drive independent coffee shops out of business with their mugs, and their staff, and their shots of syrup instead of the traditional stale cup of filter whatever-is-on-special-at Costco blend available in traditional coffee shops, it’s a bit bloody rich that they are trying to introduce individuality by writing the name you choose to give on a mug.  Also, I expect them to then ask for your rank and serial number.
Really, if I wanted personal service, I would have spent my money in the little independent coffee shop next door that Starbucks put out of business years ago.  Of course, if I had done that, it wouldn’t have gone out of business.
Or I would get my morning coffee at the Krispy Kreme Koncession, where they greet me with ‘Good morning sir, latte?’.
Sir!  What’s wrong with Sir?  The Krispy Kreme Krew don’t want to know my name, nor do they care, nor do they pretend that they care.  They just want to know that I am latte guy and that, even if I actually wanted a flat white that morning, I will now have a latte instead.  I can respect that.
Obviously the drill in Starbucks is now to at least give a made up name, or answer ‘Sir’ or ‘Valued Customer’ or ‘Master’.  Or ‘Doctor Claw’ or any of a number of cool names, if you can summon the courage to do that to some poor Starbuckian who has been on shift for eight hours slinging coffee to an ungrateful public, a suspiciously large number of whom seem to be called ‘Gengis Kahn’ or, if you are a Star Trek fan, ‘Kahhhhhhhnnnnnnnnn’.
As it was, I panicked and gave my real name.  And I’ve seen ‘The Great Escape’ loads of times, I should have known what I was doing.
As it was, she not only wrote my name down wrong but she also made the wrong coffee.
Thinking back on it now, it’s just possible I may have picked up the wrong cup.

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Saturday, September 06, 2014

Fighting Fantasy, D&D for the socially awkward


Back in the day, which is to say back when I was at school, a period after they had done away with slates but before they introduced tablets, there was a certain cultural kudos to be had from following an obscure band.  Remember, this is before Google came along and ruined obscurity for everyone.  If you wanted to get into obscure music, you had to listen to John Peel like millions of others, or subscribe to fanzines.
The thing was, you could say things like ‘Well, Duran Duran are all very well, but you know they stole the baseline from a single by a Belgian jazz funk crossover band I’ve admired for some years’ and only be beaten up for being an utter arse, rather than an outright liar.  This was an age where the smartphone fact check didn’t exist and one showed one’s allegiance to one’s favourite bands by writing their name in blue biro on your schoolbag.
There was, of course, a difference between liking an obscure band ‘think ‘Kraftwerk’, but with a heavy metal influence’ and shit band.
Back at the start of the ‘80s, Dungeons and Dragons was obscure and back in the 80s, Dungeons and Dragons was cooler than ‘Wham!’
Possibly that assertion may have more, or less, relevance depending upon your perspective, particularly in relation to whether or not you were a teenage girl in the 80’s, and indeed whether your loyalties lay with Wham! or Duran Duran, and indeed with Dungeons & Dragons or RuneQuest.
None of that matters now of course because several things happened that ruined Dungeons & Dragons for everyone, and by ‘everyone’ I mean the guys (and they were all guys) that played it before it got popular, the sort of men (as they are now men) who explain that they were into Dungeons & Dragons before it became popular the same way that some other men (and this is a gender specific thing) will make a point of telling you that they were into R.E.M. before they got famous.
For ‘famous’ read ‘commercial’, for ‘commercial’ read ‘good’.
Mysteriously, Dungeons & Dragons went from a hobby that adolescent boys played in bedrooms and classrooms to spawning a huge games franchise of laughably overpriced books and model figures, inspiring an astonishing number of imitators and then a tee vee programme and then a film.  I remember when I was playing a game so misunderstood that tabloid newspapers linked it with devil worship, which now features on ‘The Big Bang Theory’.
Of course, that was before consoles and then computers and finally smartphones came along and rendered dice throwing and imagination obsolete.
Back in the aforementioned day, me any my adolescent chums would spend our lunchtimes avoiding rough kids, and girls (equally terrifying) by battling orcs and goblins.  I was lucky enough to have a group of friends who enjoyed rolling for initiative as much as I did.  However, just as Dungeons & Dragons really, really took off, somebody had the genius idea of producing a game you could play solo, and the Fighting Fantasy books were born.
They were, to put it mildly, quite successful.  Role playing gamers love books, rule books, monster companions, anything, they devour paper like a shredder in a US Embassy with evacuation helicopters waiting on the roof.  So would they buy a book that will let them play a social game without the encumbrance of friends?  Indeed they did!
The idea of Fighting Fantasy was that you made your way through a non-sequential book.  So you find a fork in the road, do you turn left (go to paragraph 41) or right (go to paragraph 52).  Left.  You die!  Shit, shit, no, I meant right, right.  You see a bunny.  Phew, and so on.
The thing is, this is role playing gamers we’re talking about here, they would never flip forward or back, and they would never cheat.  To do so would be to ignore our inner Dungeon Master and also, you could just tell when somebody was lying about completing a Fighting Fantasy book, shame clung to them more tangibly than a cloud of Lynx.
Fighting Fantasy, the adventure app for the analogue age.

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Wednesday, September 03, 2014

Terrorists could never make 'Bake off' - their video's are shit!


Back when the world was black and white, people knew how to behave in front of the camera.  They stared into the lens as if hypnotised and spoke either in a sort of strangulated RP, or with a regional accent, usually northern.  Headscarves featured.
The popularisation of the family cine camera did little to lessen the public’s respect for film, which was finite and had to be processed by the chemist.  The early days of video cameras started to erode the mystique of moving images, when anyone could appear on their own telly and mistakes could be taped over, or sent to television shows so that you could appear on other peoples’ tellies with your skirt ticked into your knickers or something equally hilarious.
It took Yoohootube to make us realise that the democratisation of broadcasting proved that talent is not democratic, but the lack of it certainly is.
‘The Great British Bake Off’ is beyond Event Television, it is Phenomenon Television that has made stars of its presenters (a bloke apparently made of mahogany and a woman who is a cross between an Aunt Sally and Zelda from ‘Terrahawks’) and of the contestants.  How?  Two words: Peril!
Women directors like Jerry Bruckheimer strive to introduce peril into their movies, and usually do so by Blowing Shit Up while all the time threatening something that will make those explosions look like atom farts.  This can be a meteor, or a bomb, or a bomb strapped to a meteor.
But fuck that.  You want to know what peril is?  Peril is having your bake judged.  Anyone who has every put a plate of home baked biscuits down in front of a bunch of unsuspecting friends knows the moment of peril just after one of them takes the first bite.  The next thing out of their mouth had better be ‘that’s delicious’ and not ‘as I was saying…’ or ‘fuck, that’s atrocious’, because you can go from friend to cunt in one chew if you don’t praise the bake.  That’s what it means to bakers.  They all know this.  Anyone who has ever had their cooking criticised will know that there is only one reaction, a cocktail of shame and psychosis.
That’s why the audience are on the edge of their seats.
That, and the British fucking LOVE cake.  National game is cricket, yea?  Right, name me one other game, IN THE WORLD, that stops for lunch, and then for afternoon tea.  Test matches last for five days.  That’s ten opportunities to get some cake down you.  Think I’m kidding?  Google images of Mike Gatting and tell me that there’s a man who refuses carbs.
People look forward to Bake Off before it starts, enjoy it when it’s one and talk about it when it’s finished.  Know why?  Because it’s lovely.  This is a reality show where the only villain is time and whatever idiot confesses to bringing along any sort of store bought gadget or device.  Knocked up that cookie cutter in your shed?  Great!  Bought it?  You fucking disgust me!
Bake Off is British through and through.  The clue is in the title.  It’s great television and it demonstrates beyond a doubt that you need talent to appear on telly, either to make, present or just fucking cook scones badly on, you need talent.
A sword just don’t cut it.  Terrorists have taken to sharing their holiday videos with the world and the news media.  For what reason, Christ alone knows because if they think it’s somehow going to frighten, scare, intimidate or impress people, they really, really need to fire their audience research people.  The same audience that are nearly in tears when the old chap gets a hug from the Sex Pest on bake off and hang around to watch the news are then shouting ‘arsehole!’ at the bloke with his mum’s headscarf, a balaclava and a glaring deficiency in the girlfriend department.  Whatever terrorist videos are (and the only thing I can possibly think they are in internet terms is ‘troll bait’), they certainly aren’t good.
Think you’re tough?  Try baking two dozen identical flapjacks with the nation waiting to Tweet things about you?  No?  Thought not.

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