Saturday, December 01, 2018

In Praise of the Printed Page, Magazines


Because of the relatively cheap costs of printing and the ubiquity of decent editing software, there is now more or less a magazine for every interest however obscure, more than that, there is a plurality of magazines for obscure interests that have never been on offer before.
And I’m not talking about weird sexual stuff either.  Well, mainly not.  I’m talking about stuff like traction engines.  Now, I love traction engines, you love traction engines, everyone loves traction engines, except those stuck behind one on the road on the way to or from a steam rally, or somebody who wears loose clothing around one.  But until recently, there was only one traction engine magazine, and you had to get that mail order.  Essentially, people who built their own sex dungeons or had to get their hot tubs professionally sterilised after parties at their place were better catered for when it came to magazines covering their interests than the sort of people who enjoyed mechanised threshing in an outdoor setting.
No doubt there have been cases where a magazine has become magazines because of editorial disputes, and God knows that the world of hobbycraft can be a divisive one, one need only consider the Great Quilting Feud of ’06 and the Homebrew Wars of ’82 to ’87 to know that that’s true, but what the printing revolution has meant is that if somebody on the editorial board of doll collecting monthly does not like the direction that the publication is going in, with recent decisions not to exclusively cover dolls which are really creepy and are collected by adults that should be on some sort of watch list, then they can start up their own publication to cater for the creepy doll collector market.  Niche indeed.
G&P eulogises on a regular basis about fanzines, the privately produced publications of the 80s that were usually mail order and usually just one step up from a John Bull printing set or indeed a potato when it came to printing sophistication.  Now of course the internet allows lots of people with similar interests to get together and share hot tub cleaning tips and so on, but there’s nothing like a magazine to give a hobby legitimacy, and people love to read them.
I think a lot of it is fantasy.  I used to read ‘Canal and Riverboat’ because I like canal boats and can tolerate river boats.  Why not ‘Waterways World’?  Because that publication was a bit too racy for me.  I will never own a canal boat and indeed in reality have no real desire to own a canal boat.  But I like to read about them.  Which is bloody odd when you think about it, why would somebody who fantasises about owning a boat not buy ‘Superyacht Monthly’?  I stand about as much chance of ever owning a yacht with a helicopter landing pad on it as I do owning the sort of thing Rosie and Jim would live on.
I think that most magazines cater for the specialist mundane.  There are many magazines about modelling, not the top shelf kind, the scale kind.  There are magazines about all sorts of hobbies.  There are probably nearly as many magazines about knitting as there are about music.
And all of this while the internet offers endless free information about all sorts of hobbies.
Hobby magazines are supremely successful for a couple of reasons.  The first is that they address their congregation, they are produced for an enthusiastic and knowledgeable tribe who greatly enjoy learning obscure stuff about something they love.
The other reason is that a printed magazine about a subject lends that subject legitimacy.  This is the ultimate triumph of the printed word.  Anyone with the means can epublish, but getting something on a shelf requires talent and effort and is the result of hard work leading to success.
That’s why when browsing for magazines, I usually walk past the endless lifestyle mags all trying to look different and all looking the same, with a matte cover and understated font, and pick up something with a glossy front cover that has a colourful photograph of somebody looking truly ecstatic on a tractor.

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Saturday, September 01, 2012

The Village Hobby Pt 2: Men and train sets



Hobbies are a low key Faustian pack, at least among those who are in gainful and resentful employment. The deal is that you will work in an unrewarding job that is simply there to bankroll your real life. It's like being a super-hero, you spend all day pretending to be normal, and spend your nights making dioramas of famous scenes from World War II if dinosaurs had been involved - and who doesn't thrill a little when confronted with a 1/32 scale recreation of a T Rex battling a British tank unit on a Parisian street corner, or a Spitfire downing a pterodactyl over Big Ben (yes of course the dinosaurs fought on the side of the Axis - they were recreated using perverted Nazi science, what are you, thick?)

One of the positives of this trade-off is that while you sure as hell don't give work a thought while you are away from it, you can devote time at work to your hobby. Not overtly of course, as for instance waders, a tackle box and a keep-net writhing with angry fish might cause comment as you take communion, but you can certainly give your pastime some thought.

This is because, as anyone who has ever sat in a meeting featuring PowerPoint and has spent the time from Slide three until 'any questions' idly wondering if you could capitalise on the upcoming badger cull by introducing a range of 'Woodland Soups' without being too specific about the content, or the likelihood of contracting TB as a result of ingestion, will be able to confirm, musing is not easily detectable (unless you operate a lathe or are a surgeon, in which case bloody well concentrate and stop wondering whether that triceratops model you ordered for your recreation of the siege of Stalingrad has arrived yet).

If you have a hobby, and you are at work, and your badge says that you are 'happy to help', then you are a fibber. But that's OK because badges that read 'Hello, I'm Gary, ambivalent about helping, but if you want to discuss what would win in a fight, a T Rex or a Cromwell, I am very much your man' are difficult to find, even on the Internet.

When you leave work for good you are unencumbered by nine to five distraction and the fear that your colleagues might find out what you do at the weekend and judge you because you rather like folk dance, or weaving, or competitive masturbation, and you can level up from hobbyist to enthusiast. And there is no better place to see retired folk in enthusiastic action than a railway line run by enthusiasts (unlike commercial train companies, which are staffed by unenthusiasts).

Retired enthusiasts are such a regular feature of steam train lines that you could be forgiven for concluding that the train crew came with the engine when it was new and have simply stuck with it after it was acquired by a trust formed of people who like grease, polishing things and smelling faintly of equal parts soot and sawrfega.

Because maybe it's the grimy faces, but bloody hell do the enthusiasts look happy when they smile. And who can blame them? You know that whooshing feeling you get in your stomach when you see a bloody big loco thunder by and the whistle shrieks and the clouds of steam flow back over the carriages like a white mink stole thrown over the shoulder of a silent movie starlet, well they get that all the time, from marmite to horlicks and in their dreams as well.

Steam enthusiasts are the ultimate hobbyists. You can be enthusiastic about your skydiving, or your golf, or your fishing or God help you your Morris dancing (by the way, putting on some bells, thwacking a twig and doing a jig in a car park followed by ten hours of drinking makes you a Real Ale enthusiast, not a folk dance enthusiast, although the two are often confused), or about dressing up as a Roundhead or investigating paranormal activity (usually in pubs, handy for accessing spirits) but being a steam enthusiast, traction or rail, is commitment. And romantic.

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Saturday, August 11, 2012

The village hobby

Work. It should nourish the soul. Honest toil should result in a feeling of warm satisfaction and cold beer as success is celebrated in the traditional fashion at the end of a day when, thanks to your endeavours, the world is left a little bit better, with another shed erected, another suit exquisitely tailored or another poodle clipped into an amusing shape, than it was that morning.

Because there are people for whom their employment produces a sense of fulfilment. Sometimes they do something useful, like boat building or setting firework displays to music, sometimes what they appear to contribute to society is rather harder to define, but it gets them on the front of glossy magazines (although not always the ones that are just about glossy celebrities, one can imagine that even the most assured celebrity might wonder about their path in life if they are sharing the front page of a magazine with the story of a tragic teen who ate so much KFC they can only leave the house on a flatbed, through the wall). Getting paid for something that you actually enjoy doing is surely what everyone who has ever toiled aspires to.

Unfortunately, there's not a lot of money in sitting slumped in front of the telly flicking up and down the channels and wondering if the are any more wotsits left in the cupboard. Also, as a career choice, it looks poor on a CV if you want to progress to, for instance, flying a jet.

This is why people indulge in hobbies, because to stop yourself going mad with frustration at work, you can develop a socially accepted form of mania in your spare time. While many hobbies can be private and low-key, such as collecting antique prosthetic limbs, cutting locks of hair from the people in front of you on the bus without them knowing, or getting wasted on Lambrini in your front room while watching Mama Mia on DVD, again, on a Saturday night, other have a more public face.

And it doesn't get much more public than Morris Dancing. Lots of blokes running around in circles letting out the occasional whoop and thwacking sticks around, all the while jingling the bells attached to their ankles. Morris Dancing has for years attracted the professional classes. Bank managers, accountants, the more refined sort of sex pest, dentists and so on all feel the need to jump about while trying to convince people that they are upholding a folk generation that goes back centuries and are not simply a group of men with miserable home lives who cannot take up the traditional hobby of the unhappily married - angling - because of an irrational fear of tench.

The only hobby more public than Morris Dancing is, possibly, being in a pipe band. Every year the UN meets to try and have the bagpipe classified as a weapon and every year the Scots play the cultural card, that if anyone votes 'aye' they will stand outside their house and play 'Flower of Scotland' until the end of recorded time. The's a reason the bagpipe was used to lead men into battle. It bloody terrifies me and I know that it's essentially a device for reproducing the sound of music strained through a cat. If you were facing a Highland regiment of angry transvestites led by men with wailing demons under their arms, bricking it into the trees is an acceptable option.

Of course those days are long gone (south of the Tweed) and now you have recreational bagpipe playing (I know, but in a world where people get enemas for fun, I've stopped trying to make sense of this sort of thing) where presumably normal people gather together and try and make a sound not unlike a pig being sucked through a jet engine, for fun.

And in truth, confronted by the sheer enthusiasm of those that indulge in folk dancing and folk music, their obvious enjoyment is infectious. I mean, who can fail to adore a bloke with bells on his ankles, or a chap who has a waterproof made especially for his kilt? Weatherproofing for authentic celtic weather? Now that's attention to detail.

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Monday, January 09, 2012

A change of scene

What between the riots, recession and no Downton Abbey on the telly on a Sunday night, one could be forgiven for concluding that things could be described as grim. And that’s just at home, when one turns on the idiot lantern to the BBC Speculation 24 channel (other ways of upsetting yourself and commenting on how a newsreader’s blouse is inappropriate are available) you let a whole world of misery flicker into the room. If it’s not the planet trying to make life difficult for people, it’s other people trying to do so.

Is it any wonder that people turn, in a variety of ways, to alternative realities? The great thing is that doing so does not require a huge glowing contraption that makes a whooshing noise and flings you to an alternative England where there are cool airships, the Crazy Frog ring tone was never invented and neither Hitler, Murdoch or Cowell attained positions of influence, rather people are constructing their own realities.

And they are well catered for. Stop in at any newsagents and, after you have bought your scratchcards and fags and noted down the number on the card in the window advertising a ‘large chest for sale’, you may notice the plethora of magazines that line the walls like a fresco pained by somebody with multiple personality disorder and a passion for part-works about quilting. The gateway to alternative worlds is here. Either different worlds altogether, inhabited by celebrities who although they notionally occupy the same planet that the public do, inhabit a different existence, or a minute focus on a part of the reader’s world, such as the one that collects lace.

And especially railway modellers. There are any number of magazines dedicated to modelling, military and civilian and by far the most populous of these are for railway model enthusiasts.

We have all, at one time or another, run a toy train around an oval track but, for the serious modeller, it’s much more than that, it’s the creation of a perfect world, where the trains have character, rather than being shaped like an articulated dildo and where they pull in and out of stations, normally small country stations, that have station masters and porters and are even probably manned at night.

Most importantly, the trains run on time. Because the modeller can write his (no ‘or her’ here) timetable.

This is indeed an alternative world, one in which the modeller has control of the rolling stock, every run and every shunt. Imagine the sensation of power and relief that a commuter must feel running their own train service. An alternative, preferable world, complete and to scale and never, ever, late.

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